Cutting to the beat

Here I have taken our chosen lyrics and created a plan in the form of a key that shows each shot and the colour coded locations of where they will be and the shot type. This will help us when coming to creating our piece as we will have an idea of what we want and where.


Location Key:-
Beach
Projector
Montage
Wood
/= shot change


Introduction for 15 seconds. (Introducing band name and song title) (1) /








You look so cool (Long shot of female lead) standing there / (2) ( Long shot of female lead )
With your baggy jeans and silky hair (Close up/mid shot of female lead, showing outfit which creates a link to the lyrics) / (3)


We can live for nothing baby I don't care (Long shot/mid-shot of female lip syncing words) / (4)
Lose me like the ocean, feel the motion (Long shot/mid-shot of female lip syncing words) / (5)

I'll be the sea honey (Mid-shot of lip syncing) / (6)
Always, always (Mid-shot of lip syncing) / (7)
And you'll be the tide (Mid-shot of lip syncing) / (8)
I'll be the sea honey (Mid-shot of lip syncing) / (9)
Always, always (Extreme close-up of lip syncing) / (10)
And you'll be the tide  (Mid-shot of lip syncing) / (11)



Instrumental for 16 seconds (Potential instrument playing) I'll float with you, through the clouds  (Mid-shot of lip syncing) / (12)
Take me on your dream, flow through my bloodstream  (Mid-shot of lip syncing) / (13)
Honey you're the sun, I'll take the plunge  (Mid-shot of lip syncing) / (14)
Lose me like the ocean, feel the motion  (Mid-shot of lip syncing) / (15)

I'll be the sea honey  (Mid-shot of lip syncing) / (16)
Always, always (Mid-shot of lip syncing)  / (17)
And you'll be the tide (Mid-shot of lip syncing) / (18)
I'll be the sea honey (Mid-shot of lip syncing)  / (19)
Always, always (Mid-shot of lip syncing)  / (20)
And you'll be the tide (Mid-shot of lip syncing)  / (21)

Instrumental from 1.33-2.21 (Montage)


You look so cool, standing there (Walking through wood, long shot/mid-shot) / (22)
With your baggy jeans and silky hair  (Walking through wood, long shot/mid-shot) / (23)
We can live for nothing baby I don't care  (Walking through wood, long shot/mid-shot) / (24)
Lose me like the ocean, feel the motion  (Long shot/mid-shot of female lip syncing words)  / (25)

I'll be the sea honey  (Long shot/mid-shot of female lip syncing words)  (26)
Always, always  (Long shot/mid-shot of female lip syncing words)  / (27)
And you'll be the tide (Mid-shot of lip syncing) / (28)
I'll be the sea honey (Mid-shot of lip syncing) / (29)
Always, always (Mid-shot of lip syncing) / (30)
And you'll be the tide (Mid-shot of lip syncing) / (31)

I'll be the sea, I'll be the sea (Mid-shot of lip syncing potentially projector or beach) / (32)
And you'll be the tide, you'll be the tide (Mid-shot of lip syncing) / (33)
I'll be the sea, I'll be the sea (Long shot walking away)  / (34)
And you'll be the tide, you'll be the tide (Long shot walking away) / (35)